INSX
Sector
AI Creative
Type
Concept
Role
Creative Director
Skills
Concept Development AI Video & Audio Editing
Objective
The project explored Nano Banana’s capabilities for maintaining character consistency across multiple angles, using the framework of a conceptual men’s perfume ad inspired by insect characteristics and behaviour.
An experimental AI concept designed to test new end-to-end workflows in Weavy, a node-based AI platform.
An experimental AI concept designed to test new end-to-end workflows in Weavy, a node-based AI platform.
The idea.
Blending creativity with technical experimentation, I drew on the graphic design influences of my youth, from David Carson and Ray Gun magazine to the Dexter and Se7en title sequences to craft a surreal, darkly humorous narrative in which insects evolved into humans.
The idea.
Blending creativity with technical experimentation, I drew on the graphic design influences of my youth, from David Carson and Ray Gun magazine to the Dexter and Se7en title sequences to craft a surreal, darkly humorous narrative in which insects evolved into humans.


Creative exploration.
The workflow combined multiple AI tools to achieve consistency and style cohesion throughout the process. I began by building master images in Midjourney, combining image and style references to establish the dark, gritty tone. Within Weavy, I orchestrated a multi-model pipeline using Seedream 4, Nano Banana, and Magnific to refine image quality and create structured variations.
Gemini Flash 2.5 proved particularly effective for generating dynamic camera angles, while Seedream 4 handled adaptive typography more reliably than Nano Banana. For motion, I used Kling 2.5 to generate video sequences and Hailuo Minimax 2 to produce kinetic text and overlay effects. The audio was composed and voiced with ElevenLabs, and final grading and assembly took place in DaVinci Resolve.
Creative exploration.
The workflow combined multiple AI tools to achieve consistency and style cohesion throughout the process. I began by building master images in Midjourney, combining image and style references to establish the dark, gritty tone. Within Weavy, I orchestrated a multi-model pipeline using Seedream 4, Nano Banana, and Magnific to refine image quality and create structured variations.
Gemini Flash 2.5 proved particularly effective for generating dynamic camera angles, while Seedream 4 handled adaptive typography more reliably than Nano Banana. For motion, I used Kling 2.5 to generate video sequences and Hailuo Minimax 2 to produce kinetic text and overlay effects. The audio was composed and voiced with ElevenLabs, and final grading and assembly took place in DaVinci Resolve.